During their faster sections, guitars craft riffs that hammer out a stream of chords and conclude with conclude with some flourish or percussive punctuation, or else pound out high-energy three-note melodies with Iron Maiden-esque hooks. The slower sections are much the same, with sagging yet groove-filled rhythms reminiscent of Autopsy or even Black Sabbath. Drums tend to follow the groove established by the guitar, and simply blast ahead when little groove exists. Guitar solos are either heavy metal styled show off, or Slayer inspired noise, and are used mainly for variation in structure, rather than for the sake of the figures that they cut. Vocals are bassy growls that can be identified as human, but are basically impossible to make out.

Structurally, this stuff is fairly predictable, creating a few closely related ideas that define a song, and cycling through them, breaking out of those and into a greater madness at their climax, and resolving back into them for a brief conclusion. This simplicity, combined with the heavy metal nature of the rest of this album, will likely put many Hessians off from it, which is most certainly their loss. Much like Mötorhead, Black Sabbath, or Judas Priest, this music is able to rise above clichés to create music that is both energetic due to its groove and hook, and morbid, from its battery, and inspired, slightly dissonant melodies. Like a cat toying with a wounded mouse, it’s both vicious and playful, and strikes a balance between humor and morbidity that is both enjoyable and points to a darker reality that most "normals" prefer to ignore.