Copyright © 1989 ECM records
1. Innferd
2. Rosensfole
3. Margjit Og Targjei Risvollo
4. Målfri Mi Fruve (Tora Lille)
5. Venelite Og Bergjekongen
6. Hot Æ Dæ Fæ Noko Vesolt Væ (Jutulen Og Stolt Øli)
7. Signelita
8. Lillebroer Og Storebroer (Storebror Og Veslebror)
9. Riddevall Og Grisilla
10. Utferd
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What defines much of the current neoclassical music in Europe is a deep
understanding both of its roots and potential essence in futurism. The
astounding result of this collaboration between Agnes Buen Garnås and Jan
Garbarek is a definitive echo of such a realization.
Rhythmic-based percussion builds ground for instrumental melodies to softly
flow across a musical state of an ambient nature. Garnås, a highly
experienced folk singer, expresses through tonal as well as emotional
balance the modern process of ancient Norwegian myths that deal with
existential issues. Garbarek forms the musical foundation to the driving
harmony, which is both led and emphasized by the soft and beautiful voice of
Garnås, who foretells old stories in a descriptively singing manner. The
result is a close relation between emotional impact and physical
presentation.
While Norwegian folk culture permeates this work, the musical expression is
multi-faceted, drawing inspiration from worldly sources. This is
demonstrated by the sometimes improvisational nature of jazz, as well as the
instrumental basics of Irish folk music. As such, this work is much like the
very best of ambient music: basic in its foundation yet dynamic in its
expression.
Much of the music relies on the ever-changing topography caused by ambient
states. The slowly entrancing percussion, the repetitive melodic harmonies
sung by Garnås, and the re-occurring partial themes expressing each song as
a whole, automatically forms a mental journey into the exploration of
Norwegian highlands and the materialised presentation of timeless stories
and ideals, which is unfortunately only comprehensible to those able to
grasp the Nordic languages. Although the themes as well as the
conceptualized instrumentation are drawn from medieval times, the impact is
surprisingly present.
Benefiting from a resistance to convention, Garnås and Garbarek embark on a
vision that is both local and global. The music stands out as hopelessly
beautiful, heroic and genuine. Both artists have a musical history of
respect, which perhaps more than ever before, can be heard and felt in
“Rosensfole”. The musical wisdom of these two artists is here
presented in a modern form, trying to express and re-build the ancient and
eternal values of a culture worth all respect and dignity. This is
neoclassical folk music at its absolute best.
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